Director Elia Kazan and playwright Arthur Miller were once best friends and professional colleagues, to most that knew them then in both capacities as soul mates. Their politics were similar which was reflected in their work. Kazan was a Communist Party member for a few years in the mid-1930's, but Miller never officially joined the party ranks. Their relationship changed in the early 1950's when Kazan was subpoenaed to testify in front of the House Un-American Activities Committee where he named names of Communist Party members past and present.

This was filmed on August 18, 1972 at the house of Lee Radziwill in Montauk, Long Island. The film includes Elia Kazan, Barbara Loden, Peter Beard, Tina Radziwill, and Kazan Jr.

In a series of conversations with Michel Ciment, Elia Kazan talks about his life's work in theatre, cinema and novels, the philosophy and attitudes behind his choices and his creations.

Hour long documentary on the legendary director.

Filmmaker Harry Rasky presents an intimate portrait of Arthur Miller, exploring the playwright’s life, influences, and literary achievements. Through extended interviews, archival materials, and clips from productions of his plays and screenplays, Miller reflects on the themes behind works such as The Crucible and The Misfits, his resistance to McCarthy-era political pressure, and the personal experiences—including his marriage to Marilyn Monroe—that shaped one of the most influential voices in modern American drama.

A clerk's suicide reforms his extravagant wife who then saves a whore and stops a mob killing

A clerk's suicide reforms his extravagant wife who then saves a whore and stops a mob killing

A clerk's suicide reforms his extravagant wife who then saves a whore and stops a mob killing

A clerk's suicide reforms his extravagant wife who then saves a whore and stops a mob killing

A clerk's suicide reforms his extravagant wife who then saves a whore and stops a mob killing